

Included are biographical material correspondence between Casper and his mother Elise Casper Ott, and from Elise to others regarding Timothy's artistsic legacy writings exhibition files personal business records printed material photographic material and artwork. The papers document Casper's career and life which was cut short when he died from a car crash at age twenty-one. The papers of Timothy Casper measure 3.4 linear feet and date from 1943-1981, with bulk dates from 1950-1969.
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See more items in: Stable Gallery records Stable Gallery records / Series 2: Artist Files Archival Repository:Īrchives of American Art GUID: EDAN-URL: ead_component:sova-aaa-stabgall-ref51Ĭasper, Timothy F., 1943-1964 Search this Sponsor:įunding for the digitization of this collection was provided by the Lichtenstein Foundation. Archives of American Art, Smithsonian Institution. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information. Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. See more items in: Naúl Ojeda papers Naúl Ojeda papers / Series 6: Printed and Broadcast Materials Archival Repository:Īrchives of American Art GUID: EDAN-URL: ead_component:sova-aaa-ojednaul-ref251 Additional funding for the digitization of the papers was provided by the Roy Lichtenstein Foundation. The processing and digitization of this collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center. Contact References Services for more information. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Ojeda, Naúl, 1939-2002 Search this Container: See more items in: Ad Reinhardt papers Ad Reinhardt papers / Series 3: Writings and Notes Archival Repository:Īrchives of American Art GUID: EDAN-URL: ead_component:sova-aaa-reinad-ref130 Sponsor:įunding for the processing and digitization of this collection was provided by the Terra Foundation for American Art.

Collection Rights:Īd Reinhardt papers, 1927-1968. Use of original papers requires an appointment. Reinhardt, Ad, 1913-1967 Search this Container:ġ953, 1966, undated Collection Restrictions: See more items in: Keith Warner papers Keith Warner papers / Series 1: Correspondence Archival Repository:Īrchives of American Art GUID: EDAN-URL: ead_component:sova-aaa-warnkeit-ref39 Please refer to the Smithsonian's Terms of Use for additional information. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. Warner, Keith, 1895-1959 Search this Container: Plaster sculpture Search this Genre/Form:Īrchives of American Art GUID: EDAN-URL: ead_collection:sova-aaa-bauerich Sculpture, Modern - 20th century Search this The remainder are of Bauer preparing and working on molds in his studio, ca. "'Body Casts', Solo" is of Bauer's one man show at the Gregory Ghent Gallery in San Francisco. "Exhibition tape" is footage from the television program "Eye on Hollywood," and is filmed at the Ankrum Gallery in Los Angeles during Bauer's exhibition, and shows a body cast on the program's host. Also included is a duplicate video cassette "The Cave of Making". The segments are titled on the cassette label: Exhibition tape "Body Casts" Solo Gregory Ghent 1st Photo Session, Model- Albert Making of Mold for CRUCIFORM V and Making of Mold for CRUCIFORM IV. Gregory Ghent Gallery (San Francisco, Calif.) Search this Extent:ġ Item (videocassette (120 min), sd., col., 1/2 in.) Type:Ī video composed of five segments on Bauer and his body cast sculptures and shows.
